Friday, March 1, 2019

2019 Picture Book Party Agents and Editors



Introducing the agents and editors for the 2019 Picture Book Party! 

To see how to format your entry, check out this post. Submission is Tuesday, March 19th at 4:00 pm EST! The window will remain open for one hour. You may send two separate email entries. We can't wait to read them! 

Remember we recommend researching each agent to determine if they would be a good fit for you in the event that you are chosen and receive a request. Note: Listed agents have agreed to take part in the contest, but that doesn't mean they will make requests or that life won't happen and prevent them from appearing. Everyone will do their best.

Check out last year's entries here

Here are the talented agents and editors. Please thank their kindness by following them on twitter. I forgot to add that we also have a ninja editor who may request but wishes to stay anonymous. 



Clelia Gore of Martin Literary Management


It was when Clelia first read Charlotte’s Web in the first grade that she got hooked by the magic of books. Her love of children’s books carried through adulthood and she is delighted to dedicate her life to bringing quality books and stories to young (and whimsical adult!) readers. 

Clelia is originally from the suburbs of New York City. She has a bachelor’s degree in English literature from Boston College. She received her J.D. from American University, Washington College of Law and practiced law as a corporate litigator in New York City. 

In 2011, she decided to dedicate her career to books and reentered graduate school at Emerson College, where she received a master’s degree in Publishing and Writing. While she was studying publishing and taking creative writing courses at Emerson, Clelia gained firsthand experience in the publishing industry working in the children’s book division at Houghton Mifflin Harcourt and in academic books at Oxford University Press.  She also taught academic writing and research courses to freshman students as a graduate student faculty member at Emerson College. 

Clelia attends writing and publishing conferences. She also sits on the board of directors for Poetry Northwest magazine. In 2017, she was named one of Publisher’s Weekly Star Watch honorees.

Clelia acquires picture book, middle grade and young adult books. She is particularly interested in developing her nonfiction clientele. With apologies, Clelia is no longer accepting new adult fiction queries at this time.

To find out more about Clelia, check out her blog at www.cleliagore.com. She also tweets tips, news and musings related to writing and publishing at @MadmoiselleClel.



Tracy Marchini of Bookends Literary


After four years as a Literary Agents Assistant at Curtis Brown, Tracy Marchini left to pursue her own editorial business and to earn her MFA in Writing for Children from Simmons College. With ten years of experience either at an agency or working as a freelance children's editor, she joined BookEnds in June of 2016 and is excited to grow her list of both award-winning and debut authors and illustrators.

Growing up, Tracy made it a personal goal to read every Nancy Drew Case Files in her school’s library and still has a soft spot for a good girl detective story. As an adult, she loves the sense of possibility in children’s and young adult literature – and can still empathize with the soul-crushing feeling that is mandatory gym class.

As a children's author, her picture book debut Chicken Wants A Nap (Creative Editions) was called "A surprising gem" in a starred Kirkus review.

You can follow Tracy on Twitter at @TracyMarchini, or learn more about how to submit to her on our submissions page.

Tracy is looking for picture book, middle grade and young adult manuscripts across most genres, including contemporary, mysteries, thrillers, magical realism, historical fiction, graphic novels and non-fiction. She is also looking for picture book illustrators and author-illustrators.

She is not a good fit for YA horror, true crime, hard sci-fi, or high fantasy. At this time, she is not looking for board books or early chapter books.




Leslie joined Dunham Literary in June 2016. Previously, she was an intern for The Bent Agency.

A former librarian with over 20 years’ experience in special, public, and school libraries, Leslie has cataloged rocket launch videos and Lego rocket ship models, presented SEC documents and story times, and negotiated with organizations from Lexis-Nexis to the PTA. Her experience as a librarian has given her a distinct perspective on publishing and readers. A writer herself, Leslie is very familiar with querying from both sides of the desk.

Leslie graduated from Wake Forest University with a degree in English and has a Master’s of Library and Information Science degree from the University of North Carolina at Greensboro.
She is available to speak at conferences.

You can follow her on Twitter @leslie_zampetti.

For children’s books, Leslie seeks middle grade and young adult novels, especially mystery and contemporary. Historical fiction set in the recent past, novels in verse, and off-the-beaten path romances are on her wish list. For picture books, Leslie wants unusual true tales, biographies of unsung heroes and heroines, or stories that show everyday diversity to mirror under-represented readers and open windows to others. She is drawn to books about Florida, baseball, and kids with book smarts and big hearts.

For adult fiction, Leslie is interested in literary mysteries, upmarket romance and women’s fiction, and historical fiction from lesser-known eras and places. For nonfiction, Leslie finds narrative nonfiction that straddles the boundaries between crime, memoir, and literature especially appealing. An armchair adventurer, Leslie enjoys experiencing wild places and extreme challenges from the comfort of her chair.




Emma Sector of Prospect Agency


Reading has always been a certain kind of magic for me. As a kid, I was sure I could make things move with my mind like Matilda and I waited patiently for my Hogwarts letter to arrive when I turned eleven. As an adult, I've shifted my magical studies a bit. Now I help these wonderful things we call books come into the world, and it's almost as amazing as moving things with my mind.
I majored in English at the University of Vermont and moved to New York City just a week after I graduated for my first job in publishing, an internship in Hachette's advertising and promotions department. When the summer was over, I knew I had found my people. I worked for Simon & Schuster's Children's Division for the next six years, first in marketing and later in editorial. Then I moved west to California in 2017 where I was a freelance editor while working as a publicist for an independent bookstore.
Now, as a children's book agent with Prospect, I use all my past publishing experiences to help new authors and illustrators develop their work and find their editorial match.
I'm open to middle-grade and YA of all types, but I'm especially drawn to fantasy adventure, magical realism, and historical fiction. I love picture books with big ideas and few words and chapter books with quirky, vibrant characters.



Since interning at BookEnds as an undergrad in the summer of 2015, James has (basically) never left. He's just continuously level-up-ed inside of BookEnds. Now he is the Literary Assistant and Social Media Manager for the team.

James is a Staten Island native, and just recently graduated with his Master's Degree in English from the College of Staten Island. He’s been a reader since his mom gave him the first A Series of Unfortunate Events book, and ordered the sequels regularly through Scholastic book orders. When he’s not reading/working, James can usually be found watching an unhealthy amount of sitcoms.

James is seeking submissions in adult literary and upmarket fiction, mystery, thrillers, and suspense including, but not limited to, psychological and domestic suspense/thrillers, literary and upmarket thrillers, and historical mystery. He is also accepting submissions in all sub-genres of Young Adult fiction, and is actively looking for Picture Books. James is actively looking for #ownvoices and diverse characters and stories in all genres.He’s eager to find an adult fiction with the same feel as Station Eleven, The Road or The Book of M. He loves all things dark and creepy in adult fiction, and all things funny and silly in picture books.

Some of James’ favorite authors include Celeste Ng, Edwidge Danticat, Jesmyn Ward, and Tana French on the adult side; Jason Reynolds and Sabaa Tahir in YA; and picture book authors like Jason Carter Eaton, author/illustrator Elise Parsley, and our very own Tara Luebbe and Becky Cattie.

Follow him on twitter at www.twitter.com/jamerrson!


Adria Goetz is a Literary Manager, currently accepting queries for picture books, middle grade, young adult, as well as lifestyle books, quirky gift books, graphic novels, cookbooks, adult nonfiction, Christian Living, and devotionals. She represents books both for the general market, and the Christian market. 

Adria is a 2016 graduate of the Columbia Publishing Course in New York City, a six-week intensive course on all aspects of book, magazine, and digital media publishing. She is also a graduate of the University of Washington in Seattle with a B.A. in English with a creative writing emphasis. Adria worked for the Pierce County Library System for two years. Prior to becoming a Literary Manager, Adria fostered her knack for developing creative work during her three years as an intern and assistant at Martin Literary & Media Management with Sharlene Martin and Clelia Gore. 

Adria is specifically looking for:
  • Young Adult: Adria loves anything from slice-of-life contemporary realistic stories to fantasy stories with richly built worlds. She trends toward the speculative side, or books with just a dash of magic. Please send her anything creepy, as she is known to be a true crime junkie who has read nearly every Wikipedia page on every known serial killer. Right now she is specifically looking for a sweet YA romance in the vein of When Dimple Met Rishi, a funny, voicey contemporary realistic YA in the vein of Robyn Schneider’s work, a lush, atmospheric mystery in the vein of Truly Devious, a thriller in the vein of One of Us is Lying, and magical realism in the vein of The Strange and Beautiful Sorrows of Ava Lavender. Above all else, Adria loves an atmospheric setting-driven book where the author draws the reader into the rich world they’ve built—whether that world is the bakery down the street, or an island in the sky. It’s also important that the cast of characters reflects the beautifully diverse world we live in.
  • Middle grade: In middle grade fiction, Adria mostly wants to embark upon a fantastical adventure. She’d also love a summer camp story, an epistolary novel, mystery, and historical fiction.
  • Picture books: She’s looking for anything from a fun, poppy, commercial picture book (Dragons Love Tacos), or a dazzling lyrical picture book biography about a lesser known person from history (The Noisy Paintbox). Some of her favorite recent picture books have been The Night Gardener and virtually anything else created by Eric and Terri Fan, Miss Hazeltine’s Home for Shy and Fearful Cats, and The Fantastic Flying Books of Mr. Morris Lessmore.

Adria lives in an old Victorian home in the Seattle area with her husband Alex and their two darling kittens, Maple and Mulberry.

To learn more about Adria and what she is (and isn’t) looking for, check out her wish list.
She tweets at @AdriaMGoetz


Alyssa Eisner Henkin of Trident Media Group


“There’s no greater professional joy than championing a book that you believe in and watching the world delight in it.”
After earning her Bachelors from the University of Pennsylvania, Alyssa fulfilled a childhood dream that she professed on a home video at the age of six: move to New York and work with books. In 1999, Alyssa began her career in editorial at Simon & Schuster Books for Young Readers. Here she found “kindred spirits” who loved Anne of Green Gables as much as she did and a kids book space that was rapidly growing. In late 2006 Alyssa (and her inner-entrepreneur) headed to Trident to expand the firm’s children’s book business.
Over twelve years, hundreds of deals and numerous bestsellers and award-winners later, Alyssa still delights in nurturing her books at every stage. From editing and idea-honing to collaborating with marketing, foreign, dramatic, merchandising, and audio partners, Alyssa works hard to ensure longevity for her authors’ work.
Actively seeking new clients, Alyssa represents all forms of literature and illustration for children and young adults.
Alyssa’s primary focus for new projects is middle grade. She is fond of both fiction and nonfiction: from illustrated and graphic novels and memoirs to series with the interactive spirit of a trivia game. A lover of underdogs, school stories, humor, heart, mysteries, and regional and ethnic flavors, Alyssa looks to spice up the cannon with projects that break new ground. She also enjoys select young adult projects, especially when they champion social justice or have an intriguing family or romantic dynamic. And with picture books, rollicking read-alouds and fascinating biographies are always intriguing.
Follow her on twitter at @AgentHenkin.

Mary Cummings represents fiction, literary nonfiction, and poetry for children and teens, from picture books to middle grade and young adult novels, including contemporary and historical, humor, mystery, fantasy, and multi-cultural. She is particularly seeking middle grade novels as well as picture books with strong story arcs, a spunky central character, and warmth, humor, or quirky charm. In literary nonfiction, her areas of interest include picture book biographies as well as lyrically written science, nature, mindfulness, and social awareness issues. (Read more about Mary here.)
Cummings served for fourteen years as education director at the Loft Literary Center in Minneapolis, where she organized an annual festival of children’s literature and selected judges for the prestigious McKnight Award in Children’s Literature. She represents both career writers and newcomers.




Susan Hawk has worked in children’s books for over twenty-five years. She comes to Upstart Crow from the Bent Agency, and her clients include Alison Oliver, illustrator of the bestselling Baby Lit board books and the forthcoming picture book Moon; Ruth Spiro, author of the Baby Loves Science board book series; Marcie Colleen, author of the Super Happy Party Bears chapter book series and the forthcoming picture books Love, Triangle and Penguinaut!; Lisa Tyre, whose debut middle-grade novel, Last in a Long Line of Rebels, was a BEA Buzz Book title; Sarah Lariviere, whose middle-grade novel The Bad Kid is an 2017 Edgar Award Nominee; and Rachael Allen, author of the YA novels 17 First KissesThe Revenge Playbook and the forthcoming A Taxonomy of Love.
Before agenting, Susan worked in the Children’s Marketing departments of Penguin Books for Young Readers, Henry Holt Books for Young Readers and North-South Books, where she managed campaigns for many books and authors including Eric Carle, Mary E Pearson, Richard Peck and Joan Bauer. She’s also been a children’s librarian and bookseller, and spent some time in Dutton Editorial, acquiring select picture book and YA projects for that list.
Susan represents books for children and teens only: picture books, chapter books, middle grade, and young adult, along with some non-fiction for children and teens too.  She’s committed to building a diverse list of books and authors, and welcomes submissions in this area.
She’s looking for books that grab her by the heart and don’t let go! Complex, layered, flawed, and lively characters are irresistible to her. She loves writing that acknowledges and explores the way humans can hold opposing feelings—sometimes lots of them—all at one time.
Plot is equally important. She wants to be drawn deeply into your story, and even if it isn’t an adventure, she wants to feel like she’s on the edge of her seat, waiting to see what will happen next.  Humor is key—she likes wry, witty humor (not so much gross-out humor). Even if your book isn’t meant to be a knee-slapper, a bit of something funny is very welcome. She wants writing that’s sharp, focused, thoughtful and inventive. She’s a sucker for bittersweet and soulful.  Literary or commercial, high concept or character-driven, she wants to be surprised by your book.
She’s omnivorous when it comes to genre and loves reading mystery, fantasy, scifi, humor, boy books, historical, contemporary — you name it.
In picture books, she’s currently looking only for author-illustrators and is drawn to work that’s vibrant and emotional, indelible characters, and succinct, expressive texts that tell a real story.  The non-fiction she represents relates to kid’s daily lives and their concerns with the world.
Follow her on twitter @SusanHawk.

I started at Writers House as an intern for Brianne Johnson and was quickly pulled from the program to begin working for Senior Vice President, Merrilee Heifetz. Later, I covered senior agent, Stephen Barr's, paternity leave and began working as an assistant to senior agents Brianne Johnson and Rebecca Sherman. I have also worked as a bookseller in both the adult and children’s markets, as well as on the house side of the publishing business in publicity. In 2015, I graduated from New York University with my Masters of Science in Publishing: Digital and Print Media, with a specialization in Media Content Development.

I am actively growing my picture book, middle grade, young adult, and adult lists.

She is looking for picture book author-illustrators, a wide range of middle grade and YA, and more speculative-leaning or genre-bent upmarket adult works. I’m committed to working with writers from diverse backgrounds and am looking to put forth a list of outstanding creators who will be able to provide windows, mirrors, and sliding glass doors (thank you, Dr. Rudine Sims Bishop) into all kinds of experiences. I’m particularly looking for own-voices stories about historically underrepresented characters, identities, and cultures.

No matter the genre or age-range, I crave a distinctive voice and strong thematic point behind the work—I want to run screaming to my friends and family about your book because there is so much to discuss. I love character-driven stories that revolve around BIG topics (discussing things like mortality or grief in a new and hopefully somewhat uplifting way is always an instant lightbulb!). One might say that I have a great affinity for what used to be known as ‘issue books,’ however, I would argue that I’d like to represent authors and stories that stand for more than just a good yarn; I’d like to represent authors who provoke conversations around important and necessary topics in our world today. I don’t just want contemporary versions of these stories, either. Send me your fantasy, your sci-fi, your genre-bender!

Follow her on twitter @AllieLevick.



Christy Tugeau Ewers, has been rooted in the children's literature industry since Chris started the agency in 1994, and she has been surrounded by artists her entire life. Aside from her mother, her brother, Jeremy Tugeau is an exceptional fine art and children's illustrator, represented by his wife, Nicole, at Tugeau 2. Christy's husband, Chris Ewers, is an artist too, as a talented cinematographer and film-maker. 

With a degree in English/Journalism and over a decade of experience in various creative fields, Christy offers a different perspective to the agency, while maintaining the enthusiasm and love that her mother brings to the industry. Aside from writing, her interests include seaside escapes, very hot coffee and pitbulls named Gertie.

And of course, grandchildren/children, Billie & Finnegan, are The CAT Agency's resident experts and critics. Billie has over 5 years of experience in the world, and has formed a deep love of unicorn literature and all things Pink/Purple/anything-licious. Finn boasts a robust background in cars and trucks, with a specific expertise in MR. TIGER GOES WILD. Billie currently enjoys using every crayon in the box, while Finn likes to spend his free time dancing to The Imperial March (Darth Vader's theme). 




Devin Ross of New Leaf Literary


Devin hails from the windiest city in the Midwest where she spent most of her childhood. She earned her B.A. in English from Lawrence University and her Publishing Certificate from the Denver Publishing Institute. She began her publishing career as an author’s assistant, helping authors grow their platforms and meet their deadlines. Her next career move landed her in the Subsidiary Rights department at Crown Publishing Group before she found her home at New Leaf Literary & Media where worked under Joanna Volpe, soaking up every lesson in agenting she could, before becoming and agent herself.

In adult, Devin is looking for peculiar, eccentric, character driven, commercial or upmarket fiction that is conceptually unique. She’s also looking for upbeat women’s fiction or rom-coms. She loves all types of fantasy, and is drawn to stories with magical realism. While she loves science fiction, she is not looking for it at this time. In nonfiction she loves a book that explains complex science to people unlike her *cough* who almost failed junior chem.

In YA she’s looking for commercial fiction; coming of age, plot driven books with strong voices and crossover appeal that break the status quo. She’d love to see more contemporary projects that will make her laugh and cry and leave her with a smile. She is also drawn to fantasy and thrillers that suck you in from the very first page.

Devin grew up wanting to be an artist. She painted to escape, and is looking for books that help her to do the same. She’s looking for anything that throws her into a new world, or that helps her see her own in a different light. Devin loves books that make her feel strongly; bonus points for stories that make her laugh and cry. Finally, she is looking for books that teach her things, whether purposeful or through the telling of a story, it doesn’t matter. She is a lifelong learner and is always looking to expand her horizons.

Devin splits her time between Denver and Manhattan, her adorable puppy and staring longingly at the mountains. Follow her on twitter at @Devyross.


Anna Olswanger has been a literary agent since 2005. She started her career at Liza Dawson Associates in Manhattan, and in 2014 launched her own literary agency, Olswanger Literary LLC, where she represents a wide variety of genres, but is currently focused on illustrated books (picture books and graphic novels). She is a member of the AAR, Association of Authors' Representatives. 

Anna has sold to major publishers, including Bloomsbury, Chronicle, HarperCollins, Houghton Mifflin Harcourt, Macmillan, Penguin Random House, and Simon & Schuster. 

Her clients' books have won the Newbery Honor, Asian Pacific American Award for Literature Honor, Flora Stieglitz Strauss Award for Nonfiction, Orbis Pictus Honor, PEN/Steven Kroll Award for Picture Book Writing, Parents Choice Gold Award, Bank Street College of Education Best Children's Books, Sibert Award Honor, Ezra Jack Keats Book Award Honor, Sydney Taylor Silver Medal, Boston Globe Horn Book Nonfiction Honor, International Bologna/Ragazzi Nonfiction Honor, CCBC Choices, and been Junior Library Guild Selections and on The New York Times Bestseller list. You can view many of her clients' books on Pinterest. 

Anna enjoys discovering new authors and illustrators, and is looking for “voice,” the sound and rhythm of an author that is hers alone. She has a particular interest in picture books (author-illustrators only) and graphic novels. 

She works hard with authors to get their manuscripts into shape for submission. She finds that most manuscripts need work on plot, so if you're a potential author or illustrator client, be ready to go through many revisions before Anna agrees to send out your manuscript. Her job is to get the story to the point where an editor will make an offer. (And then be prepared to make more revisions for the editor.) 

Follow her on twitter at @AnnaOlswanger.




Rick Margolis of Rising Bear Literary


For nearly 15 years, I worked for School Library Journal, the world’s largest reviewer of books for young readers. As SLJ ’s executive editor, I had the pleasure of interviewing many remarkable children’s book creators, including Kate DiCamillo, Mo Willems, Katherine Paterson, Gene Yang, Rita Williams-Garcia, Markus Zusak, Rebecca Stead, and Jon Klassen. One of the best parts of my job was writing a monthly interview column, “Under Cover,” which highlighted new and promising authors and illustrators (like John Green, Suzanne Collins, and Stephenie Meyer) who went on to have amazing careers. Along the way, I also met many publishers and children’s book editors. Because I’ve read so much and so widely, I have a strong sense of the stories that appeal to them, and I know the literary market well. And for some reason, almost every year I was able to predict the winner of the Caldecott Medal, which honors the year’s best-illustrated book.
Although I loved my stint at SLJ, I was ready for a new challenge. But not just any job would do.
I wanted to find one that felt like my true calling—one that I was wild about—and that could contribute something of value to the world. I also wanted to stay connected to kids’ books—because I love them and because I was once a reading specialist (working with students who struggled to read) and I know firsthand what a profound difference the right book can make in a young person’s life.
To make a long story short, after lots of praying and scores of meetings with some very insightful folks (and a fair amount of snacking), I launched Rising Bear Literary Agency, LLC, specializing in what I most love: picture books, early- and middle-grade fiction, young adult literature, and adult novels with unforgettable teen characters.

Rising Bear aims to help writers and illustrators do their best possible work, to pair them with the perfect publisher, and to see them develop long, rewarding careers. We’re excited to work with people who are passionate about creating exceptional books—and who are ready to change the world, one fabulous title at a time. We offer a full range of services that include foreign, film, and merchandising rights in all forms of media.


ASIA CITRO, M. Ed, is a former classroom science teacher with a Master's in Science Education. She is the author of 150+ Screen-Free Activities for KidsThe Curious Kid's Science Book, and the Zoey and Sassafras chapter book series, among others. She is also the creator of the popular blog Fun at Home with Kids, the owner of (and an editor at) The Innovation Press, and the founder of the Seattle Children's Book Festival. Her work has been featured on Apartment Therapy, The Chicago Tribune, Today, Disney Baby, MSN, King 5 TV, and Highlights, among others.

I love quirky and creative manuscripts that aren't iterations of children's books that currently exist; an ideal manuscript either covers a new subject or uses a new presentation or approach to cover a perennial topic.  Manuscripts that make me laugh are a huge plus.  As a former classroom teacher, I also appreciate having some form of learning tied in and definitely have a penchant for manuscripts that promote STEM skills/learning.  We love diverse characters (and are VERY interested in any #OwnVoices manuscripts) and characters who challenge traditional gender roles.  The Innovation Press is open to all kinds of submissions (board books, picture books, chapter books, middle grade, and graphic novel), so long as the target audience falls in the PreK-5th grade range.

Follow her on twitter at @AsiaCitroAuthor.




Alayne Kay Christian is the content and developmental editor for Blue Whale Press and an award-winning children’s book author. She is the creator and teacher of a picture book writing course, Art of Arc. She shares more or her knowledge and tips for writers through her Writing for Children Webinars. She has been a professional picture book and chapter book critique writer since 2014, and she worked as a 12 X 12 critique ninja for three years. Alayne is a graduate of the Institute for Children’s Literature. In addition, she has spent the last eleven years studying under some of the top names in children’s literature. Alayne’s focus at Blue Whale Press is content editing, creative direction, and working with authors and illustrators to coordinate the path to quality books.

Blue Whale press is looking for unusual characters, strong narrative arc, strong voice, fresh/unique premises, and surprise twists. We are drawn to unique stories that standout from all the rest. We gravitate toward humor, but we would love some stories that tug at the heartstrings, but again, in a unique, standout way. Clever and/or humorous informational fiction that is written with young readers in mind tends to get our attention.

Note from Alayne: Some have asked what we are not interested in, so I will offer that we are not interested in trends. Trends eventually lead to an abundance of similar stories. If you haven’t seen it before, your chances are probably better with us. We aren’t able to produce board books at this time, so manuscripts for the newborn to three age range are not for us. We are not against faith-based stories that give a mild universal message. However, heavy messages about specific beliefs based on specific religions aren’t a good fit for us. We are currently not looking for young adult manuscripts.

I’m excited about the many talented picture book and chapter book writers in our kid lit community, and I look forward to spotting some gems in your entries! Let the party begin!

Blue Whale Website: https://www.bluewhalepress.com/



I love picture book biographies, sports narratives, and global stories. Additionally, topics and themes surrounding the performing arts as well as social awareness and justice pique my interest. I'm especially looking for debut (or newer talent) authors and author-illustrators with strong writing skills and distinct art styles.

In narrative picture books (fiction and nonfiction), I look for well-developed characters with distinct voices; a strong plot with an earned resolution; and a clever, unexpected, yet satisfying ending. I'm always open to stories that break formula and just work – that have that special something that you can’t quite put your finger on – either in the art or the words. I like both prose and poetry, but I'm typically not a fan of rhyme unless it feels authentic to the tone of the story.

I'm always on the lookout for what hasn't been done yet – stories that haven't been told and voices that haven't been heard.

Follow her on twitter at @WilbursBF_Char.



Hi! I am Callie Metler-Smith. I am the CEO and founder of Clear Fork Media Group in Stamford, Texas. I answer to the following titles: Publisher of Books, Newspaper Chick, Bookstore Owner, Writer, Illustrator, Wife, Mom, and Friend.

I am the illustrator for the Enchanted Snow Globe Chapter Book series written by Melissa Stoller. I have also written two other books: Swensons, Penick, and the TCR and Ben’s West Texas Snow. My third book, How to Babysit a Logan, tells the reader about autism from the perspective of my son Logan’s cat has a release date of April 2019.

When I'm not working on my corner of the Stamford Square, I love spending time with my husband, Philip and two sons, Logan and Ben.

CFP's Mission statement is to publish books that promote creativity, diversity, and books that expand your mind for adults and children. Our adult titles include poetry, non-fiction, and science fiction books. Our children's titles include board books; picture books; chapter books; and young adult.

Follow her on twitter at @CallieMetler.



Ninja Editor Dragonfly  This editor wishes to stay anonymous. Authors will be contacted by us with specific instructions if Ninja Dragonfly makes any requests. 

Friday, February 8, 2019

Picture Book Party 2019

We are doing it again! Spunky. Adorable. Heartwarming.




Those are some of the words that describe picture books and chapter books. I'm happy to join with Sharon Chriscoe and Mindy Alyse Weiss to do a little something for a group that is left out of most contests. This mini-contest is for you!

Tell your friends and please post on Twitter, Facebook, and in your writing groups. Spread the word, help aspiring authors, and celebrate picture books! The Twitter party will be for everyone, so I hope to see you there under the hashtag #PBParty. There will be daily topics that apply to all writers during the submission week. I'd love for you to suggest some topics in the comments. It's going to be a fun week!


Edit: Just to clarify this isn't a twitter pitching contest. Instead your entries are sent to the hosts by email and we pick a variety of genres for the agents/editors to read on my blog. What happens on the twitter hashtag #PBParty is an actual party, where we celebrate our writing and picture books with a variety of topics to talk about. Topics change each day. Examples include: share your favorite picture book. Share where you get your writing inspiration. And so on.  

The agent round will be Wednesday, March 27th - Friday, March 29th. The submission day is TuesdayMarch 19th at 4:00 pm Eastern time


The window will stay open at least one hour. That way no one has to rush. 

Then Sharon, Mindy and I will go through the entries and pick our 20 favorites. We just might add a few additional ones--the amazing submissions make it hard to narrow down our final choices!  

The Rules:

Please be a follower of this blog. You can click the "Follow" button in the left sidebar under the Followers app. Or if that is stubborn and won't work, you can subscribe to my newsletter or follow @Michelle4Laughs and @MindyAlyseWeiss on twitter. We will be tweeting hints and advice as well as partying!

You may send two entries for different manuscripts. That's two and only two, whether you have multiple pen names or multiple email addresses. Please be honest and not send more. Only one entry will be chosen per person. If you send two, still only one will be picked. Any attempt to cheat will result in entries thrown out (and sadly it has happened in the past.) 

On March 19 at 4:00 pm Eastern the submission window opens. Do not send early or your entry will be deleted. You may resend at the correct time if this happens. I'm recycling an email address as I already have too many. Please send your entry to SunversusSnow at yahoo dot com

You should receive a confirmation email. If you do not, please contact me or Mindy on Twitter before resendingPlease note that your second submission will likely NOT receive confirmation. That does not mean it wasn't received. Just that our vacation notification only works once. Chill. If we got your first, we got the second. 


Remember: We want to get a good count of entries and duplicates make that harder. The window will stay open at least one hour in order to avoid the crush of entries and flooding us with requests to check for entries.

This contest is for unagented writers and writer/illustators with finished and polished manuscripts. They must be ready to submit if requested by an agent or editor. 

The Format:

Subject Line of your Email: PBParty: Title

Example:  PBParty: Hot Tub Santa

Inside the email please bold where bolded in my example. Single space with spaces between paragraphs. Use Times New Roman or equivalent font and the size should be 12.

(Here's a trick to keep your paragraph spacing: copy and paste your entry into your email and then put in the line spaces. They seem to get lost when you copy and paste. It may look right but sending scrambles the spacing. Note: We will still read your entry if you mess up the formatting.)

Name: Sharon Chriscoe
Twitter Handle: @extracleansanta (optional)
Title: HOT TUB SANTA
Genre: (Here please tell us what type of picture book this is) Example: Board Book, Bedtime Rhyme, Nonfiction, Biography, etc. or List Chapter Book If this is OWNVOICES, please say so here!
Word Count: xxx (round to nearest ten, hundred for chapter books)

Query:

Your entire query letter here. Include your comps, bio, greeting, closing. Please be sure to note diversity and ownvoices in the query as well. (You may use whatever you want for a greeting. Dear Agent. Dear Michelle, Sharon, and Mindy.)

Here is your chance to make your entry shine and make the agent fall in love with your words.

First 50 Words:

Include your first 50 words for a picture book, 100 words for chapter books. Do not stop in the middle of a sentence. You may go over by one or two words to finish a sentence but not more than five. Single space and put spaces in between paragraphs. You may center or tab if appropriate.

Edit: For short picture books, less than 50 words may be submitted. Any count under 50 is allowed.

Also I will delete parts of entries after the contest ends, if requested. For those writers uncomfortable with their work being out there for all to see. 


Bonus: You may attach one illustration to your email to show an example of your artwork. We love artwork. If you don't have artwork, don't worry.


That should cover about everything, but you may leave questions in the comments or on Twitter. Please no DMs or emails. Don't forget the #PBParty hashtag.


And don't forget to leave your suggestion of a topic for our twitter party!

We can't wait to see all the heartwarming cuteness on March 19th! 

Friday, January 25, 2019

Cover reveal: BUTTERFLY GIRL by Sarah Floyd + Giveaway!

I have followed Michelle Hauck for many years. I admire her dynamic writing style—her books are fantastic—and her contests, blog posts, and endless support of the kidlit community has helped so many writers, including me! Thank you, Michelle, for welcoming me to your blog to share the cover of my debut MG novel, BUTTERFLY GIRL.

Michelle suggested that I mention some thoughts about how I found my agent. I wish I could offer a quick and easy formula for “how to wow an agent and land a publishing deal,” but that’s not how it happened for me . . .

When I first started writing, I was eager to query my picture books, confident that an agent would soon snap up my stories. I was a strong writer in high school and college, and loved children’s books, so the long and painful journeys I read about from other writers seemed like something I could avoid . . . but over time I learned that the skills needed to write academic papers do not line up exactly with the skills needed for writing books.  

Like many before me, much of my journey was difficult and discouraging. Mountains of form rejections and long stretches spent hanging out in Cricket Land can leave any aspiring author feeling stuck in place and frustrated—but with the help of amazing friends and critique partners I met at the SCBWI Blueboards, my early enthusiasm turned into a focused, serious commitment to learning the craft of writing for publication. After several years of writing and querying picture books and my MG novel (BUTTERFLY GIRL), I finally began to make progress in the form of personal rejections, and a few requests.  

As my confidence grew, I began entering contests, like Michelle’s Sun vs. Snow (short-listed by one of the mentors) and Query Kombat (winner in the picture book category). I continued workshopping my projects with critique partners, and then jumped into the online conference WriteOnCon, where I met my first agent, Danielle Smith. (This was about two years before she abruptly closed her agency and disappeared from social media.) I was elated when Danielle said she loved the first few pages of BUTTERFLY GIRL and requested the full manuscript, along with any completed picture books—and I literally danced with joy when she offered representation a few weeks later. A book deal was right around the corner, or so I thought . . .

After six months with little communication and nothing on submission, I lost faith in the partnership and decided it would be best for me to move on. I took a month off to decompress and gather my courage, and then started querying again, although I privately worried that other agents might have unspoken questions about why the relationship had ended, and my formerly agented status would be a mark against me. Incredibly, all the agents I queried sent personal responses that were encouraging and kind, and four of them asked for additional material . . . and thankfully, one of those agents was Essie White of Storm Literary, who cares deeply for her clients and is exceptionally hardworking, supportive, communicative, and honest. She’s also super savvy about the industry and has a fantastic editorial eye. Signing with such a phenomenal agent was a moment of pure relief and happiness—she truly is the perfect agent for me.

Essie submitted BUTTERFLY GIRL to Callie Metler-Smith of Clear Fork Publishing—and we received an offer of publication! Working with Callie and her team has been a great experience. After writing a second stand-alone novel (going on submission soon), I asked Callie if I could re-read the manuscript before she created the final proof. I wondered if the things I had learned from drafting that second novel might also apply to my first, since I hadn’t read it in a very long time, other than copying and pasting the first 5-10 pages to query agents. After re-reading I found that I still loved the story, but I noticed places where the writing could be improved. Callie agreed with my thoughts, which meant delaying the release so I could revise, and so she could read the new version and approve it or offer additional feedback. I’m grateful to have landed with such a wonderfully collaborative and supportive publisher!

It’s a fantastic feeling to arrive at this point in the journey where I can finally share the cover for BUTTERFLY GIRL . . .  




                                              
By: Sarah Floyd

Release date: March 26, 2019    
Publisher: Clear Fork Publishing                          
ISBN: 978-1-946101-64-8
Available for Preorder Soon

About the book:  

In the summer before seventh grade, Meghan McCoy-Lee discovers there’s magic in the sap of her family tree. She follows instructions in her great-grandmother’s journal . . . and grows leathery wings! Meghan’s story goes viral and her mother, who abandoned Meghan at Grandpa’s Oregon farm six years earlier, swoops back into town with superstar plans for her Winged Wonder Girl. Grandpa says stay on the farm and ignore the paparazzi, but her charismatic mom wants her to leave for Hollywood and start a new life together. The popular girls at school want Meghan gone, like yesterday—she’s getting way more attention than they are.

One thing is certain: Meghan’s going to make up her own mind, and the designer divas aren’t part of the equation. With the help of her brainy best friends, there may be a way to make the queen of the mean girls stumble and fall off her throne. Now Meghan must decide if a glamorous life with the mother she dreamed of is worth moving away from the friends who stood by her—and from Grandpa, who loved her before the whole world knew her name.                    

About the author:



Sarah Floyd was born in Carmel Highlands, California, where she and her friends explored, built forts, and acted out magical adventure stories in the woods that surrounded their homes. When she was in first grade her family moved to San Francisco, and then to Kuala Lumpur, Malaysia. She always brought her favorite books, wherever she moved, and she always found new friends who loved to read. Now she writes books for children and teens—for her, it’s the best job in the world!

Sarah is also the author of the picture book, TEN CLEVER NINJAS, which will be released later this year by Clear Fork Publishing. She is an active member of the Society of Children’s Book Writers and Illustrators and lives in Florida with her husband and teenage son. To learn more, please visit sarahfloydbooks.com, and follow her on Twitter @kidlitSarah


https://www.sarahfloydbooks.com/

https://twitter.com/kidlitSarah



Giveaway details:

WHERE WOULD YOU FLY FIRST, IF YOU HAD WINGS?

THANK YOU for celebrating with me today!! Please comment below with your answer (and include your Twitter handle or email) for a chance to win a signed ARC.

Michelle will randomly select a winner to receive a signed ARC, along with a query and first chapter critique (MG or YA), or a query plus full PB manuscript critique. Entry ends February 2nd.